Article 370 | Movie Review

Star Cast: Yami Gautam, Priyamani, Arun Govil and Vaibhav Tatwawadi
Director: Aditya Suhas Jambhale
Rating: ⭐⭐⭐(3/5)


“Article 370” delves into the tumultuous events surrounding the abrogation of Article 370, which granted special status to Kashmir. Against the backdrop of the Burhan Wani encounter, Pulwama attack, and political machinations, the film follows Zooni Haksar (Yami Gautam) and Rajeshwari Swaminathan (Priyamani) as they navigate the complexities of Kashmir’s socio-political landscape.

Script Analysis:
Writers Aditya Dhar, Arjun Dhawan, and Aditya Suhas Jambhale attempt to encapsulate Kashmir’s intricate history in a 2-hour, 38-minute narrative. Divided into six chapters, the film explores pivotal events leading to the abrogation, albeit through a fictional lens. However, the absence of authentic Kashmiri voices diminishes the narrative’s credibility, relegating Kashmiris to peripheral roles or stereotypes. While the second half gains momentum, the initial lack of engagement undermines the film’s impact.

Star Performances:
Yami Gautam’s portrayal of Zooni Haksar is reminiscent of her previous roles, lacking depth despite the character’s emotional arc. Priyamani impresses as Rajeshwari, embodying a calm yet determined government official. However, both characters represent narrow perspectives, overshadowing the Kashmiri populace’s diverse voices and experiences.

Direction and Music:
Director Aditya Suhas Jambhale adopts a restrained approach, avoiding overt patriotism but failing to provide a holistic portrayal of Kashmir. The film’s insistence on fictionalizing real events while mirroring current political figures raises questions about its neutrality. The music fails to enhance the narrative’s gravity, contributing little to its overall impact.

Final Verdict:
“Article 370” concludes with the peaceful revocation of the article, presenting a sanitized version of events that overlooks Kashmiri voices. While Zooni finds closure, the film neglects to address the repercussions of government decisions on Kashmiris’ lives. Ultimately, the film’s failure to acknowledge Kashmir’s multifaceted reality renders it an incomplete portrayal of one of India’s most complex regions.

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